En Fin Terrible - a pun on the French expression "enfant terrible" and the second
offering by Nodepet - is a title which no doubt alludes to an aspect of the artists
personality. One senses that this reference is not so much self ascribed, but one incurred
not only by the often stifling purviews imposed by one's immediate sociomusical associations,
but also a personal need to defy imitation and wax lyrical the idiosyncrasies of self
expression.
When looking at En Fin Terrible aesthetically we do not find much that is familiar (so much the better!). For the listener this is either a boon or blight. In execution there is surprise, unexpected juxtapositions and non sequiturs. Nodepet's sound unfurls in an apparently stochastic fashion suggesting an approach not unlike surrealist automatism. This is not to suggest the absence of structure. The form inherent in this work is one that becomes increasingly more apparent and comfortable when listened to time and again.
In keeping with the implicature of its title we do find a degree of brusqueness and acerbity;
bit crushed tonalities jibing against one another; skittish and abrasive events venting pent
up frustrations and anxieties. This forward austerity and restiveness is thoughtfully offset
by moments/periods of peace and softness. A rough with the smooth rationale is fleshed out
here by Nodepet, providing an intriguing and contrastive balance of things. For me
En Fin Terrible is a definite creeper: Its character, micro details and structure
emerge only with repeated listening.
To be sure we live in a (net based) mp3 era. Some are content to squander the earnest labours of sonists and musicians with their choice of earphone. I strongly recommend putting aside those feeble little affronts to sound quality and listen to En Fin Terrible through something better designed to highlight the audio spectrum. There is much depth of field and intricacy in this work and something with only top end response will only show half of the picture.
James McDougall
Licence agreement and download:
You are allowed to download this Petcord release free of charge and use it for any
non-commercial purpose that does not involve modifying the work or incorporating it
into another. You may share it with your friends in filesharing networks, have as much copies
on any media as you like or add it to your non-commercial netradio playlist, as long as
you abide by the terms and conditions defined by the following
Creative Commons
licence:
If you do want to use our release in commercial projects or incorporate parts of it into your own non-commercial work, please contact us and we can discuss about conditions for granting a permission, of course provided the artist agrees to it.
The release is provided as single mp3 download. Some browsers may automatically play the file rather than offering a dialogue what to do with the latter, so in this case downloads may not be that straight forward. In case your favourite browser happens to exhibit exactly that behaviour, simply right click the link, and then a context menu should appear that offers something like "Save as" or "Save location as".
| 1. | Green Light | 8 min 26 sec | 13'356 KByte | mp3, 32-320 kbit VBR |
| 2. | Waxing Wane | 8 min 12 sec | 13'268 KByte | mp3, 32-320 kbit VBR |
| 3. | Key Position | 11 min 19 sec | 17'163 KByte | mp3, 32-320 kbit VBR |
| 4. | Ultimate Spin | 8 min 31 sec | 12'334 KByte | mp3, 32-320 kbit VBR |
| 5. | Cyclic Defence | 9 min 26 sec | 14'268 KByte | mp3, 32-320 kbit VBR |
| 6. | Projection Booth | 10 min 11 sec | 16'436 KByte | mp3, 32-320 kbit VBR |
| 7. | Rectangle Blue | 9 min 18 sec | 14'971 KByte | mp3, 32-320 kbit VBR |
| 8. | Exhibit One | 8 min 16 sec | 12'888 KByte | mp3, 32-320 kbit VBR |
| Artwork | Cover art for prints | 1'179 KByte | 12x12 cm at 300 dpi | |
| Everything | Entire release plus artwork | 115 MByte | zip archive |
Music and cover art © 2007 Olliver Wichmann and the Petcord netlabel.
